Ghoti-ca-002 (The Ghoti is a slightly remodeled Lighthouse style guitar – small body with the 14″ lower bout)
African Mahogany top and back, Paudouk sides, ebony tailpiece recycled from old an old cello that was a student instrument in the 70’s, Black Walnut neck, Rosewood fretboard, Tacoma (Gotoh) machine heads, Ash headstock that is bound with Leopard wood with Maple and Wenge veneer.
These f-hole cutouts on this guitar were only used on a couple instruments and a side sound hole was also implemented.
Gheushundt – 01
Fir top from a 100+ year old piano, Wenge back and sides, laminated Figured Maple and Black Walnut neck, Gotoh 510 machine heads, Spalted Tamarin headstock veneer, plug-through-body string fixture.
The Gheushundt is the largest acoustic guitar that I make. It’s full width, jumbo bottomed but still with the tight waist for big sound. The f-holes are not common and they usually have the regular sound hole and rosette.
2013 Lighthouse Model
Paudouk back and sides, Spanish Cedar top with Paudouk and Indian Rosewood stripes. Peruvian Walnut grafting, Black Walnut neck with a stacked heal block and a Spanish Cedar head stock veneer. Tacoma (Gotoh) machine heads and the seventh string.
Elephant Tour – 002
All Zebrawood body with Purple Heart grafting, Mahogany neck, stacked heal block, Grover Machine heads.
The Elephant Tour guitar was built as an extreme projection of possible shape and specifically for the stage. There are currently three Elephant Tour guitars, and I will build no more of them then five.
Lighthouse – ca
Redwood Top with a Paudouk middle, Paudouk back and sides and a Peruvian Walnut stripe down the back, stacked heal block, Peruvian Walnut neck, Mahogany headstock with a Rosewood veneer, Grover machine heads.
Redwood Burl top with a Zebra Wood center stripe, Peruvian Walnut back and sides, Black Walnut neck, headstock veneer created from the heal block cutoffs of the other guitars, Grover machine heads.
The Thostle has a larger lower bout than the original Lighthouse (now Ghoti) guitars as well as the ergonomically defined shape.
Distressed Spruce and Peruvian Walnut top with a Rosewood center stripe, Black Walnut neck and Zebrawood veneer.
Blue Pine top with a Paudouk and Zebrawood rosette on the outside, Morado sides, Zebrawood and Morado back with a sound port, Peruvian Walnut neck, and stacked heal block.
Lighthouse – 002
Recycled Spruce top, Zebrawood back and sides, Black Walnut neck. These were the smallest guitars that I built that were similar to a parlor guitar but meant as an ergonomic approach to shape and function as well as being a better stage guitar.
Every instrument I build is in nearly all ways hand built. Over the years I’ve become considerably better at consistency of form, but still each instrument can be felt and understood as hand formed, hand built.
Lighthouse – 001
Koa wood back and sides. Fence post top – Juniper – with two sound holes. This was a prototype guitar that implemented the use of asymmetry and an idea of ergonomics and stage value. I used it to record and film One-way Ticket, and then gifted it. These are the only two pictures I have of this bugga.
Ghoti – 001
Spruce top with a Koa wood center stripe, wormy Koa back and sides, Black Walnut neck, Koa headstock veneer, Grover machine heads.
This is my personal guitar that has made the journey across our country many times. The small body and the setup make this such an amazing stage guitar although it’s great to pluck on acoustically, too.
Ghoti – 004 – Short scale Baritone
African Mahogany front and back, Figured Maple sides, Paudouk grafting, Black Walnut neck, root ball headstock veneer, Grover rotomatic machine heads. Short scale Baritones can be restrung as a normal 6 ‘E to E’ six string, but it is setup with a Raised or octave up ‘B’ string to B. All chord shapes are the same but the dynamic in sound is huge.
All instruments now have either mostly or all completely tucked bracing. The white segments that are visible around the seam are the ends of the braces that have been sequestered by the Paudouk grafting. All braces inside the guitar are also tucked under one another.
Bari – 003 – Long Scale 27.5″
This guy is a monster! The holes in the Fir top are from nails when the top was a stair tread in an old house. Black Walnut back and sides, no grafting, maple back stripe, Black Walnut neck with Purple Heart headstock veneer that has been electrocuted with a step up transformer. Gotoh pearl button machine heads and the option for the 7th string. Strung up low B to B and with that scale length it is growly.